Top piano competitions in the World. These competitions are a great opportunity for the young musicians to get noticed, and also allows music lovers to hear some fantastic piano performances from future stars.
Frederic Chopin International Piano Competition
One of the oldest and the most prestigious piano competitions in the world. The competition is dedicated to the performance of music of one composer. Read more on Chopin Piano Competition here.
Tchaikovsky International Music Competition (in Moscow)
Held every four years in Moscow, this is also among the most prestigious competitions for instrumentalists (piano, violin, violin, viola and cello) in the world.Van Cliburn International piano competition
Hosted by the Van Cliburn Foundation, the Van Cliburn International Piano Competition is another prestigious competition that is held in various cities in the United states. Read more on Van Cliburn International piano competition here.
Queen Elisabeth International Music Competition
In honor of Elisabeth of Belgium (Gabriela Elizabeth of Bavaria), this prestigious competition has different categories including piano, violin, composition, singing. The competition is held in Brussels.Ferruccio Busoni International Piano Competition
Held in honour of composer Ferruccio Busoni, the Busoni International Piano Competition is usually organized every year in the Italian Tyrol.Anyone who loves music should attend, whether they are professional or amateur pianists, music teachers, students, or those who don’t play but just like to listen.
The audience can enjoy a huge variety of music from diverse genres including baroque, classical, romantic, impressionist, modern, etc.
Listeners enjoy music from the very familiar to works they’ve never before heard. Some find it interesting to hear the same piece performed by several competitors, showcasing their very distinctive styles of playing.
More Piano Competitions
China International Music Competition
The First China International Music Competition held in Beijing (presented by the China Conservatory of Music) offered first prize of $150,000 plus professional career management for three years (second and third prizes are $75,000 and $30,000).
For the inaugural competition, the Philadelphia Orchestra played the competition’s last round, when the finalists performed concertos. Acclaimed music director Yannick Nezet-Seguin was the conductor.
Two more admired figures in classical music competitions: Yoheved Kaplinsky and Richard Rodzinski were also associated with the competition. Kaplinsky found the first prize was $150,000 to be astounding, and she was also given the freedom to put together the jury, the rules, the repertoire.
It was Kaplinsky who insisted on hiring Richard Rodzinski, an experienced competition director, and get the Philadelphia Orchestra to play the finals.
Why have the Chinese put so much money and talent behind the event?
“To be placed on the international music map in a very serious way. I think the ambition is (for the new competition) to be as important as the Cliburn or Tchaikovsky or Queen Elisabeth,” says Rodzinski.
The money is funded by the government, which funds it through the education department, which funds the conservatory.
Another reason is that China has a huge pool of talented young musicians who are into classical music from a very young age. China has a massive population of piano students (an estimated 20 million to 40 million). The technical proficiency at the age of 12 in China is astounding; there are so many children who can play anything. However, their motivation is success and fame, and not necessarily the love of music, which even the (conservatory) president is aware of and he’s very keen to change that.
A music competition of the highest musical standards could provide a solution, and could also prevent gifted young Chinese musicians to migrate to the West to further their studies.
“One of the wishes of this president is to stop that drain of talent, create a musical environment in China – and particularly in the China Conservatory – that is conducive to them staying there,” says Kaplinsky,
The competition opened with a preliminary round from which Twelve pianists proceeded to the semifinal round, where each played another piano recital, and collaborated with a singer in recital (rather than the more typical chamber-music phase). In the finals, the six contestants played a classical-period concerto with a chamber orchestra; finally three finalists were chosen to play a concerto with Nezet-Seguin and the Philadelphians.
China is putting considerable money and resources to ensure the competition a success. But how will we know if the competition has been a success?
“My analogy always is that in the old bottles of milk, which still had cream, the cream rises to the top. There is a very thin line between the cream and the rest of the milk, but you can see it. As long as the cream rises to the top, that is success,” says Rodzinski.
Also Read: Music competitions produce winners who don’t go on to become major artists
Source: chicagotribune.com
Hastings International Piano Competition
More aspiring young pianists are applying to take part in the Hastings International Piano Concerto Competition – a clear sign the event is now a recognized player on the international competition circuit. In the past, winners of this competition have went on to win top honors at prestigious piano competition such as the Van Cliburn International Piano Competition.
Live auditions are held in various cities in countries such as China, Japan, Italy, UK and USA, and the standards are extraordinarily high. with a wide variety of talent including pianistic expertise, showmanship, sensitivity and passion. The final contestants travel to Hastings to play live in front of an international jury.
Website: hastingsinternationalpiano.org
Leeds International piano competition
The Leeds International Piano Competition (known as “The Leeds”) is an international keyboard circuit, which began in 1963, is going global in an effort to compete with rivals like Tchaikovsky Competition in Moscow, the Van Cliburn in Fort Worth, or the Honens in Calgary, Alberta.
For the 2018 edition, not all the rounds happened in Leeds, England. The first round happened in Berlin, then it moved to Singapore, then to DiMenna Center in New York, and finally to Leeds. After the initial rounds in Berlin, Singapore and New York (all performances will be held within a month), the competition returned to Leeds in September (another 4-5 months).
The first rounds reduced the number of candidates who ended up in Leeds to 24, for a competition that lasts 10 days.
“Earlier, as soon as someone was eliminated they had to vacate their room and get the next flight home, their self-confidence in tatters. But now everyone will stay on to the end, and we’ll gainfully employ them — in pop-up recitals, educational projects at community centers, schools, anywhere we can get a piano. And they’ll all participate in master classes with the jurors. They’ll still go home disappointed, but it won’t be with that devastating sense of failure and rejection,” said Mr. Gatehouse.
Prize packages for first, second or third place extends beyond the usual cash awards, engagements and recordings to include long-term management from a leading artists’ agency. Jurors will also mentor some participants, with continuing career advice.
In terms of performances, the Leeds piano competition makes more demands than before. The rules now require performers to offer more repertoire, with more variety. They have to prove themselves in chamber music, collaborating with other instrumentalists. For the finals they must offer two concertos, with one from before the Romantic era — which means they cannot rely on churning out the standard virtuoso repertoire of Rachmaninoff, Tchaikovsky and Grieg that often wins competitions. Most interesting of all, performers have to put together a recital program with a written explanation of the thinking behind it.
“We’ll be looking for someone with a view of the world, not just fast fingers. Who can tell a story in their playing and make meaningful connection with an audience,” says pianist Lars Vogt, past winner of the Leeds and one of the jurors.
Dranoff International 2 Piano Competition
The Miami-based Dranoff International 2 Piano Foundation was established in 1987 by the late pianist and educator Loretta Dranoff, in memory of her husband and performance partner, Murray Dranoff.
For the Dranoff International 2 Piano Competition, two piano artist teams have to prepare four hours of repertoire, spanning across four rounds of competition, over a period of one week.
The Dranoff International 2 Piano Foundation is generously sponsored by the Department of Cultural Affairs, Miami-Dade County, Steinway and Sons, Bacardi USA, Lufthansa, and The Betsy South.
Right from the initial application to the finals, the cycle spans around 18 months.
Applicants initially have to submit a 45-minute, unedited DVD of an original audition performance. the winners then go on to the Regional Live Audition Rounds, which take place in a music and cultural capital of the Americas, Europe and Asia.
Finally, the contestants are selected to travel to Miami for the Semi-Final and Final Rounds.
The competition features top scholars and piano performers as judges.
- The top prize fetches a gold medal and $25,000.
- The runners-up receives a silver medal and $15,000 second prize.
- The one finishing third takes home $10,000.
In the past, the competition attracted Jurors from Hannover Musikhochschule, University of Southern California, Shanghai Conservatory of Music, De Singel Music Complex (Antwerp), Lincoln Center, Boston Symphony Orchestra.
Scottish International Piano Competition
The Scottish International Piano competition made its debut in 1986, and since then, has enabled several talented young musicians to gain recognition in their professional careers. The competition starts with the preliminary rounds, then the semi-finals at the Glasgow’s Royal Conservatoire of Scotland, and the concerto final at the Glasgow Royal Concert Hall.
Website: www.scottishinternationalpianocompetition.com.
Thirty-two competitors, aged 18-30 from 20 countries take part in a series of recital programmes, and a concerto final before an international jury of musicians and pianists. Each pianist presents two, 30 minute recitals, before the ten semi-finalists are selected.
Each round of the Competition is played on a different piano: a Bosendorfer, a Fazioli and a Steinway, each generously provided by the manufacturer, in order to create a variety of experience for the competitors and the audience.
“It’s the audience that really makes or breaks it. It’s an extremely collaborative experience. Live performance, the communication between performer and audience – those are the essence of the competition,” says Aaron Shorr, chair of the Scottish International Piano Competition jury (and also head of keyboard at Glasgow’s Royal Scottish Conservatoire).
The winner receives £10,000, the Alexander Stone Memorial Trophy and the Frederic Lamond Gold Medal, and will get the opportunity to perform with the RSNO. Second prize is £7,500 and the Lawrence Glover Silver Medal, and third prize is £5,000. Each of the seven semi-finalists, who do not go through to the final, will receive £1,000.
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Bosendorfer USASU International Piano Competition
Music instrument and equipment manufacturer Yamaha also organizes several piano competitions.
Established in 2006, the Bösendorfer and Yamaha USASU International Piano Competition is held biennially at Arizona State University’s Herberger Institute for Design and the Arts.
Participants (ages 19–32) have to advance through three stages of competition before reaching the final round.
Watch: Xuesha Hu; 8th Bösendorfer USASU International Piano Competition Semi Finals
Yamaha competition for Jamie Cullum’s £60,000 piano
Yamaha and jazz artist Jamie Cullum teamed up to give participants the chance to win a Yamaha S6 grand piano.
Entrants had to write and record an original song that demonstrated how the S6 grand could inspire more music-making and creativity in their community. All entries were judged on melody, composition, originality, and lyrics.
Jamie Cullum comments: ‘If you are a charity, community group or a school, you could win this very piano; this Yamaha S6 grand, that has been living for the last few years in my studio. I’ve written loads of songs on it, I’ve recorded albums on it. It’s coming out with me one last time on my 2020 Taller tour, and then… it could be yours!’
Yamaha’s Piano Product Specialist, Phil Power says: ‘Through this initiative, we hope that Jamie’s piano will inspire music-making and creativity within communities. Our ambition is for the piano to make a real difference to the winning organization, its community and all those who will have access to it.’
Read more at
Boston International Piano Competition (BIPC)
Boston International Piano Competition (BIPC) is organized by Boston Piano Amateurs Association, based in Northborough, and is aimed at highly talented amateur pianists. Performances and awards ceremonies are free and open to the public.
The competition draws amateur performing artists who are passionate about playing the piano and who love music. Though the pianists are not playing as their first career, they enjoy this rich facet of their lifestyle musically and socially. They each experience triumphs and disappointments as they build their competition resume, challenging themselves to give their best performances possible.
The competition is divided into gold and silver “streams.” Each stream features two to three rounds, judged by a jury panel of celebrity concert pianists and educators. Special prizes are awarded for the best performances of romantic, classical, baroque, and modern piano pieces, as well as an audience prize, selected by audience ballot. The competition will also webcast live to the worldwide audience via the nonprofit organization’s website.
The audiences are a great incentive for competitive pianists to intensely prepare for their recital programs, study with exceptional teachers, and play to the best of their ability to share their love of music. The contestant’s performances are enjoyed by those present in person, as well as a worldwide audience via a live webcast throughout the competition. These performing artists also serve as students for many of the excellent Boston area piano teachers.
Boston International Piano Competition
Website: bostonpianoamateurs.org
Also Read: Top Jazz International Piano Competitions.
Music Festivals
Gilmore Keyboard Festival (Kalamazoo, Michigan)
Gilmore Keyboard Festival is internationally recognized as one of the most prestigious piano music festivals in America. The festival attracts high caliber musicians and a variety of talent to Southwest Michigan.
Close to fifty world class talents perform over 100 times in various venues around the region, but most of the performances are centered in Kalamazoo.
The music ranges from solo artists to orchestra concerts, from jazz to classical and even one theatrical piece.
Besides top notch performances, the festival also hosts several workshops, and presents several educational opportunities.
Website: thegilmore.org
Piano Island Festival
Local Singaporean musician Wang Congyu brings internationally acclaimed musicians to Singapore for masterclasses to develop young talent.
Pianist Wang Congyu, 26, and his French wife Julie Lu, 28, have put $80,000 of their savings into the Piano Island Festival. Wang was inspired to start the festival after he realised how costly it was to travel frequently to Europe for concerts and classes. He is now determined to bring internationally acclaimed musicians to Singapore to impart their wisdom to youngsters.
“Singapore has a lot of potential and music talent, but young upcoming musicians don’t get many chances to learn from overseas masters and make contacts. I want to build a platform for more young musicians to perform overseas.
I hope we can find the next Lang Lang in Singapore,” says Wang Congyu.
Young pianists can take part in competition, win cash prizes and scholarships for overseas music courses, and the chance to give recitals abroad. The competition is split into three age categories of 10 and under, under-18 and above-18 The grand prize for the above-18 category includes one week of masterclasses in Normandy, France, with acclaimed French pianist Jean-Paul Sevilla.
INFO: pianoislandfestival.com
Art of the Piano festival, CincinnatiArt of the Piano is an intimate festival created and led by pianist Awadagin Pratt. It’s a platform for learning from the world’s leading artists and teachers, to perfect recital and competition repertoire, and to have a quiet, beautiful place to practice and learn.
The annual Art of the Piano festival is held at the University of Cincinnati College-Conservatory of Music.
Students will be performing recitals as well as in master classes conducted by artist faculty members. They, and the public, will be able to hear lectures on related topics, such as “how to make a living as a performer”. There also will be roundtable lunches and question and answer sessions, where students can interact with the faculty.
Pratt is already pondering the idea of adding a competition to his festival, perhaps to fill the void of the annual Cincinnati piano event (which shut down after 60 years). For the most up-to-date schedule of the various concert programs, visit artofthepiano.org.
Top performing arts festivals in the USA
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